Both the sun rise and the sun set have separate, and specific, energies omitted that stimulate you viscerally. Constructing two separate boxes, and lining them with layers of black paint, I plan to absorb the literal energy omitted from both the sun rise and sun set. Opening one at 12, midnight, and closing at 12, noon, and opening another at 12, noon, and closing at 12, midnight; I positioned these two stations to absorb much view of both spectacles, and created two connected works.
"Sun rise energy", "Sun set energy", 2012

Measure the distance at which a gust of wind makes three different tree branches sway, from the same single perspective point. Do this twice.

"Wind Piece", 2012

"Shoulder Piece", 2012

In the chosen space, a bed room, I chose the absolute most essential item. This item needed to be essential in identifying the room, to be it's more defining quality or characteristic inhabiting it, and it had to be essential to the every day functionality of human life. For this, I chose the queen-sized bed mattress. So, I gathered information of the interior space and the mattress, and used them together to follow an illogical accusation. So, in a sense, I was supporting an irrational plan with solid arithmetic.
"Inhabitation Piece #1", 2012

Through a window, you see an exterior world; and, inversely, by looking into a window you see an interior world. By looking outside of your own window, and into another, you can see a world that is both interior and exterior.
"Window piece (interior and exterior)", 2012

Fractured and dismembered boxes, scattered and illustrated on fragile tissue.
"Broken boxes", 2012

Starting with twenty feet of cotton twine, I tie the string around a thin tree trunk deep inside an abandoned wooded environment. I hold the other end, and span North, South, East and West until I've reached my allowance. Then, continuing, I pivot to my right and pace clockwise from the original tree trunk until I've reached another within the area of the circle. With much left to the radius, I wind the rest of the 20 feet of twine around this other tree, making note of it's width in simple terms. Measuring the winding in the form of degrees, like when measuring angles, I document and continue to the next mode of direction.


"Twenty-foot Rotation Piece", 2012